Sci-fi Filme Von 2011 Darsteller und Crew
k.A. Generation P . k.A. Sindbad und der Minotaurus . k.A. Age of the Dragons . gefo.se › Filme › Science Fiction-Filme. Entdecke die besten Science Fiction-Filme von X-Men: Erste Entscheidung, Planet der Affen: Prevolution, Melancholia, Super 8, Perfect Sense.
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Captain America: The First Avenger. Bewertung zu Captain America: The First Avenger Von Atthemovies auf 21 Jul Ich war glücklich genug, um zu sehen, diese in einem frühen screening -, und es hat mich nicht enttäuscht… Filmkritik Lesen.
Vorherige Mehr von diesem Filmregisseur:. Mehr Sci-Fi-Filme von Mehr Actionfilme von Schräges, effektintensives Comicabenteuer über vier Space-Exoten und einen Draufgänger von der Erde, die gemeinsam die Pläne eines galaktischen Diktators durchkreuzen.
Für Links auf dieser Seite erhält kino. Mehr Infos. Filter: Science-Fiction-Film. Guardians of the Galaxy Vol.
Thor 4: Love and Thunder. Avengers: Age of Ultron Fortsetzung des Superheldenspektakels, das die Avengers im Kampf gegen eine von ihnen selbst erschaffene hyperintelligente und mächtige Kreatur erstmals hinaus in die Welt schickt.
Der unglaubliche Hulk Reboot der "Hulk"-Franchise, in der diesmal Edward Norton als grünes Muskelpaket mit der eigenen Identität und dem bösen Abominable fertig werden muss.
Fazit: Bestens geeignet für einen feucht-fröhlichen Filmeabend mit Freunden. In einer post-apokalyptischen Zukunft, in der der Planet mehr Wüste als sonst etwas ist, ist die Suche nach Wasser die oberste Devise.
Allerdings hat sich unter den Überlebenden mehr oder weniger Wahnsinn und Degeneration breitgemacht. Mad Max: Fury Road ist mit das beste und spektakulärste, was das Kino in den letzten Jahren hervorgebracht hat.
Adrenalinrausch vom Feinsten! Schlau, spannend und erstaunlich witzig: Der Marsianer von Ridley Scott ist einer der Filme, von denen man nicht geglaubt hätte, dass sie so gut werden und so wunderbar funktionieren.
Dazu gibt es ein starkes Drehbuch, wundervolle Kameraaufnahmen und Effekte. Natürlich fehlt es dem Hollywoodfilm auch nicht an Emotionen und Heldenmut.
Hier geht es nicht um Technologien, Effekte oder ähnliches. Im Zentrum des Films stehen unheimliche Ereignisse, die durch einen nah an der Erde vorbeifliegenden Kometen hervorgerufen werden.
Das Leben von 8 Freunden wird aufgrund dieses Geschehnisses gewaltig auf den Kopf gestellt. Alles, woran sie jemals geglaubt haben, scheint sich in Luft aufzulösen.
Spannend, intelligent und herausfordernd. Ein Geheimtipp für Science-Fiction Fans. Darunter auch Klassiker des Genres:. Deine E-Mail-Adresse wird nicht veröffentlicht.
Ready Player One Eine Welt, in der das Leben hauptsächlich in einem riesigen interaktiven Videospiel stattfindet.
Looper Filme über Zeitreisen stellen sich oftmals als ziemlich kompliziert heraus — so auch Looper.
Der Marsianer — Rettet Mark Whatney Schlau, spannend und erstaunlich witzig: Der Marsianer von Ridley Scott ist einer der Filme, von denen man nicht geglaubt hätte, dass sie so gut werden und so wunderbar funktionieren.
Sci-fi Filme Von 2011 Platz 10: Raumpatrouille Orion - Rücksturz ins KinoKriminalfilm 1. Science Fiction-Film von D. Pox Zombiefilm 2. Shinji Aramaki. Allein von der Optik und kino preetz Technik her, die Story mal beiseite lassend.
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Sci-fi Filme Von 2011 - Platz 9: Die kommenden TageZombiefilm 2. Litauen 1. Ice Twister 2 — Arctic Blast. Eigenwillig 5.
Sci-fi Filme Von 2011 Science FictionScott Stewart. Hier ist der Mensch der Technik vollkommen ausgeliefert und bar aller Möglichkeiten, sie zu verstehen. Vampirfilm 1. Superhelden-Film 6. Die Klimakatastrophe mit click the following article ihren vernichtenden Folgen ist eingetreten. Ein Adam kommt selten allein. Splatterfilm 1.
Von Zsnow4 17 auf 21 Jul Von Tingle 47 auf 21 Jul Von Fearlessmontano 17 auf 21 Jul Von Zubalo80 17 auf 21 Jul Von Filmtrashreview auf 21 Jul Von Atthemovies auf 21 Jul Der Nussknacker und die vier Reiche.
Der Pagemaster — Richies fantastische Reise. Detention - Nachsitzen kann tödlich sein. Real Steel. Planet der Affen - Prevolution.
Ghost Rider: Spirit of Vengeance. Iron Man 2. Marvel's The Avengers. Guardians of the Galaxy Vol. Blade: Trinity.
Spider-Man: Homecoming. Spider-Man 3. Logan - The Wolverine. Avengers: Age of Ultron. Der unglaubliche Hulk. Iron Man.
Reflecting the distrust of government that began in the s in the United States, the brilliant but rebellious scientist became a common theme, often serving a Cassandra -like role during an impending disaster.
Biotechnology e. Cybernetics and holographic projections as depicted in RoboCop and I, Robot are also popularized. Interstellar travel and teleportation is a popular theme in the Star Trek series that is achieved through warp drives and transporters while intergalactic travel is popular in films such as Stargate and Star Wars that is achieved through hyperspace or wormholes.
Nanotechnology is also featured in the Star Trek series in the form of replicators utopia , in The Day the Earth Stood Still in the form of grey goo dystopia , and in Iron Man 3 in the form of extremis nanotubes.
Force fields is a popular theme in Independence Day while invisibility is also popular in Star Trek. Arc reactor technology, featured in Iron Man , is similar to a cold fusion device.
The late Arthur C. Clarke 's third law states that "any sufficiently advanced technology is indistinguishable from magic".
Past science fiction films have depicted "fictional" "magical" technologies that became present reality. Gesture recognition in the movie Minority Report is part of current game consoles.
Human-level artificial intelligence is also fast approaching with the advent of smartphone A. Autonomous cars e. KITT from the Knight Rider series and quantum computers , like in the movie Stealth and Transcendence , also will be available eventually.
Furthermore, although Clarke's laws does not classify "sufficiently advanced" technologies , the Kardashev scale measures a civilization's level of technological advancement into types.
Due to its exponential nature, sci-fi civilizations usually only attain Type I harnessing all the energy attainable from a single planet , and strictly speaking often not even that.
The concept of life, particularly intelligent life, having an extraterrestrial origin is a popular staple of science fiction films. Early films often used alien life forms as a threat or peril to the human race, where the invaders were frequently fictional representations of actual military or political threats on Earth as observed in films such as Mars Attacks!
Some aliens were represented as benign and even beneficial in nature in such films as Escape to Witch Mountain , E. In order to provide subject matter to which audiences can relate, the large majority of intelligent alien races presented in films have an anthropomorphic nature, possessing human emotions and motivations.
However, the aliens in Stargate and Prometheus were human in physical appearance but communicated in an alien language. A few films have tried to represent intelligent aliens as something utterly different from the usual humanoid shape e.
An intelligent life form surrounding an entire planet in Solaris , the ball shaped creature in Dark Star , microbial-like creatures in The Invasion , shape-shifting creatures in Evolution.
Recent trends in films involve building-size alien creatures like in the movie Pacific Rim where the CGI has tremendously improved over the previous decades as compared in previous films such as Godzilla.
A frequent theme among science fiction films is that of impending or actual disaster on an epic scale. These often address a particular concern of the writer by serving as a vehicle of warning against a type of activity, including technological research.
In the case of alien invasion films, the creatures can provide as a stand-in for a feared foreign power.
Disaster films typically fall into the following general categories: [ citation needed ]. While monster films do not usually depict danger on a global or epic scale, science fiction film also has a long tradition of movies featuring monster attacks.
These differ from similar films in the horror or fantasy genres because science fiction films typically rely on a scientific or at least pseudo-scientific rationale for the monster's existence, rather than a supernatural or magical reason.
Often, the science fiction film monster is created, awakened, or "evolves" because of the machinations of a mad scientist, a nuclear accident, or a scientific experiment gone awry.
The core mental aspects of what makes us human has been a staple of science fiction films, particularly since the s. Blade Runner examined what made an organic-creation a human, while the RoboCop series saw an android mechanism fitted with the brain and reprogrammed mind of a human to create a cyborg.
The idea of brain transfer was not entirely new to science fiction film, as the concept of the " mad scientist " transferring the human mind to another body is as old as Frankenstein while the idea of corporations behind mind transfer technologies is observed in later films such as Gamer , Avatar , and Surrogates.
Films such as Total Recall have popularized a thread of films that explore the concept of reprogramming the human mind.
Voluntary erasure of memory is further explored as themes of the films Paycheck and Eternal Sunshine of the Spotless Mind.
Some films like Limitless explore the concept of mind enhancement. The anime series Serial Experiments Lain also explores the idea of reprogrammable reality and memory.
The idea that a human could be entirely represented as a program in a computer was a core element of the film Tron. This would be further explored in the film version of The Lawnmower Man , Transcendence , and Ready Player One and the idea reversed in Virtuosity as computer programs sought to become real persons.
In The Matrix series, the virtual reality world became a real-world prison for humanity, managed by intelligent machines. In movies such as eXistenZ , The Thirteenth Floor , and Inception , the nature of reality and virtual reality become intermixed with no clear distinguishing boundary.
Telekinesis and telepathy are featured in movies like Star Wars , The Last Mimzy , Race to Witch Mountain , Chronicle , and Lucy while precognition is featured in Minority Report as well as in The Matrix saga in which precognition is achieved by knowing the artificial world.
In early films, robots were usually played by a human actor in a boxy metal suit, as in The Phantom Empire , although the female robot in Metropolis is an exception.
Robots in films are often sentient and sometimes sentimental, and they have filled a range of roles in science fiction films. As well, robots have been formidable movie villains or monsters e.
In some cases, robots have even been the leading characters in science fiction films; in the film Blade Runner , many of the characters are bioengineered android " replicants ", in the animated films WALL-E , Astro Boy , Big Hero 6 , and in Ghost in the Shell Films like Bicentennial Man , A.
Artificial Intelligence , Chappie , and Ex Machina depicted the emotional fallouts of robots that are self-aware. Other films like The Animatrix The Second Renaissance present the consequences of mass-producing self-aware androids as humanity succumbs to their robot overlords.
One popular theme in science fiction film is whether robots will someday replace humans, a question raised in the film adaptation of Isaac Asimov 's I, Robot in jobs and in the film Real Steel in sports , or whether intelligent robots could develop a conscience and a motivation to protect, take over, or destroy the human race as depicted in The Terminator , Transformers , and in Avengers: Age of Ultron.
Another theme is remote telepresence via androids as depicted in Surrogates and Iron Man 3.
As artificial intelligence becomes smarter due to increasing computer power , some sci-fi dreams have already been realized. For example, the computer Deep Blue beat the world chess champion in and a documentary film, Game Over: Kasparov and the Machine , was released in Another famous computer called Watson defeated the two best human Jeopardy game show players in and a NOVA documentary film, Smartest Machine on Earth , was released in the same year.
Building-size robots are also becoming a popular theme in movies as featured in Pacific Rim. Future live action films may include an adaptation of popular television series like Voltron and Robotech.
While "size does matter", a famous tagline of the movie Godzilla , incredibly small robots, called nanobots , do matter as well e. Borg nanoprobes in Star Trek and nanites in I, Robot.
The concept of time travel —travelling backwards and forwards through time—has always been a popular staple of science fiction film and science fiction television series.
Time travel usually involves the use of some type of advanced technology, such as H. Other movies, such as the Planet of the Apes series, Timeline and The Last Mimzy , explained their depictions of time travel by drawing on physics concepts such as the special relativity phenomenon of time dilation which could occur if a spaceship was travelling near the speed of light and wormholes.
Some films show time travel not being attained from advanced technology, but rather from an inner source or personal power, such as the s-era films Donnie Darko , Mr.
More conventional time travel movies use technology to bring the past to life in the present, or in a present that lies in our future.
The film Iceman told the story of the reanimation of a frozen Neanderthal. The film Freejack shows time travel used to pull victims of horrible deaths forward in time a split-second before their demise, and then use their bodies for spare parts.
A common theme in time travel film is the paradoxical nature of travelling through time. The Back to the Future series and The Time Machine goes one step further and explores the result of altering the past, while in Star Trek: First Contact and Star Trek the crew must rescue the Earth from having its past altered by time-travelling cyborgs and alien races.
The science fiction film genre has long served as useful means of discussing sensitive topical issues without arousing controversy, and it often provides thoughtful social commentary on potential unforeseen future issues.
The fictional setting allows for a deeper examination and reflection of the ideas presented, with the perspective of a viewer watching remote events.
Most controversial issues in science fiction films tend to fall into two general storylines, Utopian or dystopian.
Either a society will become better or worse in the future. Because of controversy, most science fiction films will fall into the dystopian film category rather than the Utopian category.
The types of commentary and controversy presented in science fiction films often illustrate the particular concerns of the periods in which they were produced.
Early science fiction films expressed fears about automation replacing workers and the dehumanization of society through science and technology.
For example, The Man in the White Suit used a science fiction concept as a means to satirize postwar British "establishment" conservatism, industrial capitalists, and trade unions.
He controls the shuttle, and later harms its crew. Soylent Green , Elysium. The monster movies of the s—like Godzilla —served as stand-ins for fears of nuclear war , communism and views on the cold war.
Logan's Run depicted a futuristic swingers ' utopia that practiced euthanasia as a form of population control and The Stepford Wives anticipated a reaction to the women's liberation movement.
Enemy Mine demonstrated that the foes we have come to hate are often just like us, even if they appear alien.
Contemporary science fiction films continue to explore social and political issues. One recent example is Minority Report , debuting in the months after the terrorist attacks of September 11, , and focused on the issues of police powers, privacy and civil liberties in a near-future United States.
More recently, the headlines surrounding events such as the Iraq War , international terrorism , the avian influenza scare, and United States anti-immigration laws have found their way into the consciousness of contemporary filmmakers.
The film V for Vendetta drew inspiration from controversial issues such as the Patriot Act and the War on Terror , [ citation needed ] while science fiction thrillers such as Children of Men also , District 9 , and Elysium commented on diverse social issues such as xenophobia , propaganda , and cognitive dissonance.
Avatar had remarkable resemblance to colonialism of native land, mining by multinational-corporations and the Iraq War.
Lancaster University professor Jamaluddin Bin Aziz argues that as science fiction has evolved and expanded, it has fused with other film genres such as gothic thrillers and film noir.
When science fiction integrates film noir elements, Bin Aziz calls the resulting hybrid form "future noir", a form which " Future noir films that are set in a post-apocalyptic world " When compared to science-fiction literature , science-fiction films often rely less on the human imagination and more upon action scenes and special effect -created alien creatures and exotic backgrounds.
Since the s, film audiences have come to expect a high standard for special effects in science-fiction films. Nevertheless, some critically acclaimed science-fiction movies have followed in the path of science-fiction literature, using story development to explore abstract concepts.
By the time Verne's work fell out of copyright in , the adaptations were treated [ by whom? Verne's works have been adapted a number of times since then, including 20, Leagues Under the Sea , From the Earth to the Moon , and two film versions of Journey to the Center of the Earth in and Wells 's novels The Invisible Man , Things to Come and The Island of Doctor Moreau were all adapted into films during his lifetime — , while The War of the Worlds , updated in and again in , was adapted to film at least four times altogether.
With the drop-off in interest in science-fiction films during the s, few of the "golden age" science-fiction authors made it to the screen.
A novella by John W. Campbell provided the basis for The Thing from Another World Robert A. Heinlein contributed to the screenplay for Destination Moon , but none of his major works were adapted for the screen until the s: The Puppet Masters and Starship Troopers The fiction of Isaac Asimov — influenced the Star Wars and Star Trek films, but it was not until that a film version of one of his short stories Nightfall was produced.
The first major motion-picture adaptation of a full-length Asimov work was Bicentennial Man based on the short stories Bicentennial Man and The Positronic Man , the latter co-written with Robert Silverberg , although I, Robot , a film loosely based on Asimov's book of short stories by the same name, drew more attention.
The film adaptation of some of the stories of science-fiction author Arthur C. Clarke as A Space Odyssey won the Academy Award for Visual Effects and offered thematic complexity not typically associated with the science-fiction genre at the time.
Reflecting the times, two earlier science-fiction works by Ray Bradbury were adapted for cinema in the s: Fahrenheit and The Illustrated Man Philip K.
Dick 's fiction has been used in a number of science-fiction films, in part because it evokes the paranoia [ citation needed ] that has been a central feature of the genre.
These films represent loose adaptations of the original stories, with the exception of A Scanner Darkly , which cleaves close to Dick's book.
The estimated North American box-office market-share of science fiction as of [update] comprised 4. Science fiction film.
Main article: History of science fiction films. Play media. See also: List of science fiction films before and List of science fiction films of the s.
See also: List of science fiction films of the s , List of science fiction films of the s , and List of science fiction films of the s.
See also: List of science fiction films of the s. See also: List of science fiction films of the s and List of science fiction films of the s.
Further information: List of science fiction films of the s. Main article: Extraterrestrials in fiction.
Main article: Disaster film. Main article: Monster movie. Main article: Time travel in fiction. This section needs expansion.
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